![]() ![]() This gives you lots of spectral material to sculpt using the filters and FX. ![]() Sawtooth (aka ramp) waves, which you can see I've selected in the image above, provide a very rich and solid harmonic spectrum. To begin with, I need a base on which to build up the sound. As you can hear, it's quite a busy Pad sound: the tone shifts over the course of several bars and there is a more gritty, noisy texture alongside the basic sawtooth sound.įoundations: Oscillator A1 + Amp Envelope The above is the sound of the original Pad preset, used on some MIDI chords included with the pack. You can also download this and a couple of other Pad presets from Contour at the bottom of this page! Check it out if you like what you're hearing or would like to see some other Sylenth1 tricks in action! The preset is taken from Contour: a collection of 75 Sylenth1 presets for Downtempo music. Here at ModeAudio Magazine, we've not spoken much about this excellent piece of software, even though it's one of our favourites! So this week, I'm going to start rectifying the situation with a breakdown of one of our Sylenth1 presets, and talk you through the different elements within it so you can try rolling your own. Chances are, if you're an electronic music producer, you've heard of Sylenth1 by LennarDigital - it's a fantastic little synth plug-in which brings bags of analogue character in to your DAW productions. ![]()
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